Liebe Fourtrack Friends,
nächste Woche Mittwoch präsentieren wir in Kollaboration mit Little League Shows die fantastischen Horse Lords aus Baltimore (die New York Times findet's super!) + Support Patrick Higgins (Zs) und DJ Puhwubbupuhwubbu (Puschen).
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Mittwoch, 9. November, Schokoladen | Ackerstr. 169, U8 Rosenthaler Platz Horse Lords + Patrick Higgins Eintritt: 6-8 Euro | Einlass: 19 Uhr | Beginn: 20 Uhr (Patrick Higgins), 21 Uhr (Horse Lords), ab 22 Uhr: DJ Puhwubbupuhwubbu | Facebook Event
West African rhythms collide with just intonation guitars, art-fire saxophone, minimalist grooves, and collaged zapdowns on Interventions, the powerful third full-length from Baltimore’s Horse Lords. The band’s Northern Spy debut is also the first Horse Lords album to explore the classic studio-as-weaponry strategies of yore, mapping the quartet’s raw Baltimore lightning onto the experimental musique concrète territory surveyed by elder heads like Faust and This Heat. Founded at the turn o’ the ‘teens by Andrew Bernstein (saxophone/percussion), Max Eilbacher (bass/electronics), Owen Gardner (guitar), and Sam Haberman (drums), Horse Lords quickly established themselves as avant-heavies with the two extended tracks of their powerful self-titled debut (Ehse Records, 2012). Playing custom electric guitars and basses refretted by Gardner, the band’s rolling polyrhythms chime with the strange and distinct harmonies of just intonation inspired by the master La Monte Young and other heroes.
Part of the newest wave of smarty-arty-weirdos playing DIY spaces and tea houses and college campuses, Horse Lords’ soaring heaviness achieves a true poise that seems equally primed to make the leap to concert halls and festivals. Making appearances on freeform radio station WFMU and concert recording site NYCTaper, Horse Lords are recognized, too, as a galvanizing live act, powered by the double-drumming of Sam Haberman and Andrew Bernstein. Last year, their Hidden Cities Remix to benefit the local Living Classrooms’ Believe in Music featured the work of influential contemporaries including fellow Baltimore undergroundists Drew Daniel and M.C. Schmidt of Matmos (contributing separately) and Guardian Alien drummer/lead-brain Greg Fox. Floating at the boundaries of composition and improvisation, electronics and performance, the underground and the vast improbable 21st century indie mainstream, Horse Lords exist in none of these places and all of them. More accurately, they exist on Interventions, the album you now hold in your proverbial hands, perhaps noticing the reflection of the imaginary room’s light reflecting on the LP cover, ready to cue up as you find yourself in the new beyond of tomorrow’s ecstasies and today’s Horse Lords.
Described by The New Yorker magazine as one of the "prime movers of the local avant-garde", and an "exacting avant-classical guitarist" by TimeOut NY, Patrick Higgins is a New York based composer/performer of experimental music. Higgins has composed works for some of the nation's leading ensembles, ranging from chamber orchestra works, percussion cycles, and string quartets to smaller ensembles and soloists. He has scored works for television, museum exhibitions, and films both short-form and feature-length. Higgins plays guitar and composes in ZS, hailed by the New York Times as "one of the strongest avant-garde bands in New York." As a soloist, he performs both classical acoustic and electric guitar in genre-bending contexts, utilizing extended technique and electronic processing. A work of "visionary [...] master-craftsmanship on guitar" (Tiny Mix Tapes), his record of quadraphonic guitar compositions STEREO was named to the Best of 2012 by Impose Magazine, and his electro-acoustic project Bachanalia has received numerous plaudits for its re-interpretation of the Baroque master's work.