Eleanor Aldrich was born in Springerville, Arizona. A participant at the Skowhegan School of Painting and Sculpture in Maine, she also holds an MFA in Painting & Drawing from the University of Tennessee, Knoxville, where she currently lives. She earned her BFA in Painting & Drawing through the Academie Minerva (Groningen, the Netherlands) and Northern Arizona University, Flagstaff. She was a participant in the Drawing Center’s firstOpen Sessions.
Eleanor has had solo shows in Boston, Knoxville, and Flagstaff, AZ. Her work has been shown at Saltworks Gallery (Atlanta, GA), the Drawing Center (New York, NY), GRIN (Providence, RI) and Ortega y Gasset (New York, NY). Her work was chosen for 1708 Gallery’s ‘FEED 2013’ (Richmond, VA). She has been awarded an Endowment for the Arts through the Whiteman Foundation, and the Herman E. Spivey Fellowship. Her work has been included in New American Paintings and on Artforum.com.
Barbara Weissberger’s work has been shown at such venues as the Drawing Center, PS1/MoMA, DUMBO Art Center, and White Columns in New York; GRIDSPACE Brooklyn; Hallwalls, Buffalo, New York; in Pittsburgh at The Mattress Factory, Pittsburgh Center for the Arts, and Artist Image Resource; Artspace New Haven in New Haven, Connecticut; the Holter Museum (solo, catalogue) in Helena, Montana and ADA Gallery and the Harnett Museum of Art, University of Richmond in Richmond, Virginia. She is a participant in the inaugural Open Sessions at The Drawing Center. Grants and fellowships include a Guggenheim Fellowship, residencies at The Camargo Foundation (France), the Hambidge Center (NEA DIstinguished Fellow 2013), Oberpfälzer Künstlerhaus (Germany), the MacDowell Colony, Yaddo, the Ucross Foundation, VCCA, and the Montana Artists Refuge. She divides her time between Pittsburgh and New York. Play is central to her process; images grow out of improvisation and the pleasure of working with materials. The writer Sherrie Flick described the idiosyncratic mix of elements in her work as “stacked and wrapped -- harmoniously, improbably, united in their disparity.”