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Hey <<First Name>>,


In our last article, we talked about the number one thing people are looking for in a premise-- the promise of conflict! (If you missed that article, you can check it out here.)

 

Digging in further and more deeply exploring pitches, the Development Executives at Think Hollywood wrote an article about another top question that often get asked to aspiring writers.

 

Yes, premises can have the promise of a ton of conflict-- let’s talk about one of the best ways to contextualize that conflict, so Producers can really follow you along during your pitch and not lose interest because you are confusing them!

 

EXCLUSIVE THINK HOLLYWOOD ARTICLE:

 

POWER OF VISUALS

 

A really interesting case study of how important it is for Producers, Execs, Marketers and the rest of the whole team to get a sense of the look, feel, and sounds from a pitch, check out this article written about a fictional take on a huge movie, and how various players react to the pitch.

 

The article this month was published by the New York Times and is titled, “Save My Blockbuster!”

 

http://www.nytimes.com/interactive/2013/06/28/movies/BLOCKBUSTER.html?smid=pl-share&_r=0

 

As you can quickly tell by the various reactions to “Red, White, and Blood”, the industry professionals really do focus on the visual aspects of the movie!

 

- What are the commercials going to look like? Man candy!

- Bigger weapons (visualizations of higher stakes)

- Loud explosions

 

Best,


Think Hollywood Development Execs

 

P.S. If you are interested to learn about how you can work with your own Producing Team, including the execs who wrote this Newsletter, check us out by clicking button below:

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